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At length you reach a cemetery. We all know how deeply the Turks respect the graves of the dead — how they visit them and never permit them to be disturbed, as we do in Europe, after any number of years. In the abstract this is very grand, and when we imagine to ourselves a beautiful cypress grove with tall white monumental stones, and green grass beneath, it presents a stately and solemn picture. Now contemplate it in the reality. The monuments are overthrown, dilapidated, or awry — several roughly paved streets intersect the space — here sheep are feeding — there donkeys are waiting — here geese are cackling — there cocks are crowing — in one part of the ground linen is drying — in another carpenters are planing — from one corner a troop of camels defile — from another a funeral procession approaches — children are playing — dogs rolling — every kind of the most unconcerned business going on.

Literature. Africans celebrate their history of resistance and achievement through Anancy tales, proverbs, songs, and stories. This tradition has shaped Guyanese literary sensibility. The first major Guyanese novelist was Edgar Mittelholzer (1909–1965), who lived and worked in England most of his life. His first novel, Corentyne Thunder, was published in 1941 and was followed by 22 additional novels. Another noted Guyanese author, Wilson Harris (1923–), also did most of his writing in England. His works were greatly influenced by Amerindian myths and the haunting solitude of the rain forests and its majestic rivers. The country's best-known poet is Martin Carter (1927–1996), whose work was influenced by the political turmoil of the 1940s and early 1950s.

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